Mathematical sequence artwork featuring Fibonacci progression with biological soil treatment creating varied decomposition effects on azure background. Numerals physically extracted from print surface form three-dimensional relief coated with earth material, bridging abstract mathematical principles and tangible natural phenomena through organic transformation processes.
Shape of Infinity, Sky Edition, Part 1, Archival Pigment Print Collage, Wood, 10 x 24 x 1/2 inches

Shape of Infinity work  investigates the threshold between biology and symbolic human language, using the Fibonacci sequence as a bridge between abstract numerical concepts and tangible natural phenomena. Biological  treatment with soil/earth, both during the process and used as medium for the final piece, serves as both material record and conceptual bridge—the very medium that facilitated the biological decay now becomes the sculptural element that grounds the mathematical abstractions in earthly reality. 

The piece begins with an 8×10 color negative  photograph of blue sky as both literal and metaphorical canvas—representing the infinite expanse where mathematical laws govern everything from cloud formation to atmospheric physics. Through a process of biological intervention, the mathematical sequence undergoes transformation and organic decay.